We all look to Disney movies for the villains we love to hate, such as Hades or Scar, and we’ve been blown away by some of TV’s complex antagonists, such as The Handmaid’s Tale’s Serena Joy or half the characters in Game of Thrones. Yet some of the best TV villains are the ones who aren’t particularly tortured or ambiguous, but the ones who are clearly bad news, but adorable anyways.
Currently at UF’s Harn Museum of Art is the wonderful “Modern Impulse” photography exhibition. It’s a stunning collection of beautiful, sometimes disturbing images from America and Europe between WWI and WWII. This was a period of great creativity in the medium; photography shifted from being a means of documentation to an avenue of expression. The work of the featured Czech artists, especially Josef Sudek, is particularly lovely and fascinating; their manipulation of the camera makes one rue the concept of “snapshot.” The collection demonstrates how social meanings were shared, deconstructed, and reconstituted in this period, especially in the images of unsafe factory conditions, segregated public buildings, and homelessness. The raw, emotional work of Walker Evans, featured in the show, causes the eye to linger.
Photography became a means of social change in this era, and has continued to mediate meanings and inspire activism to the present day. Consider the work of Pieter Hugo, Sebastião Salgado, and Manuel Rivera-Ortiz, in addition to filmmakers like the late Tim Hetherington.
The Harn collection also features the gorgeous work of Group f/64, who championed unedited, naturally lit photographs as expressions of truth. (Hm, would Walter Benjamin agree?)