Tag: photography

Ethnography Photography of the Wild West [PHOTOBLOG]

Posted on by Rachel Wayne


Check out this gallery of photographs by photojournalist Timothy O’Sullivan, who documented the interactions among settlers and Native Americans in the Old West. O’Sullivan’s ethnographic style and eye for detail are impressive, and most importantly, he made an important effect to be authentic:

O’Sullivan was famous for not trying to romanticise the native American plight or way of life in his photographs and instead of asking them to wear tribal dress was happy to photograph them wearing denim jeans.

Image from Dailymail.co.uk
via The American West as you’ve never seen it before: Amazing 19th century pictures show the landscape as it was chartered for the first time | Mail Online.

Photography and Making Meanings

Posted on by Rachel Wayne

Currently at UF’s Harn Museum of Art is the wonderful  “Modern Impulse” photography exhibition. It’s a stunning collection of beautiful, sometimes disturbing images from America and Europe between WWI and WWII. This was a period of great creativity in the medium; photography shifted from being a means of documentation to an avenue of expression. The work of the featured Czech artists, especially Josef Sudek, is particularly lovely and fascinating; their manipulation of the camera makes one rue the concept of “snapshot.” The collection demonstrates how social meanings were shared, deconstructed, and reconstituted in this period, especially in the images of unsafe factory conditions, segregated public buildings, and homelessness. The raw, emotional work of Walker Evans, featured in the show, causes the eye to linger.

Photography became a means of social change in this era, and has continued to mediate meanings and inspire activism to the present day. Consider the work of Pieter Hugo, Sebastião Salgado, and Manuel Rivera-Ortiz, in addition to filmmakers like the late Tim Hetherington.

The Harn collection also features the gorgeous work of Group f/64, who championed unedited, naturally lit photographs as expressions of truth. (Hm, would Walter Benjamin agree?)

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